Well, I can’t be stoned when I perform – that’s a little something to complain about.” “It’s pretty cool performing with Madonna.” She added, “It’s a great day. “That was pretty fucking cool, you guys,” Cyrus told the audience between takes. Even when special guest Madonna arrived onstage toward the end of the show to duet with Cyrus (the two performed a mash-up of Cyrus’ “We Can’t Stop” and Madge’s “Don’t Tell Me”), not even Cyrus’s desire to rub herself all over Madonna distracted from the quality of the collaboration. Even in this taping of Unplugged, which saw Cyrus trade her cowboy outfit for a glittering pair of pants and bikini top partway through the show, she sometimes attempted to emphasize visual comedy over musical skill.īut ultimately, Cyrus is so talented a vocalist and so deeply invested in her own music that even crotch grabs can’t always distract from how seriously impressively she belts out her Bangerz ballads, as aided by a string quartet. Her single “Wrecking Ball,” a haunting ballad that packs even more power live, became self-parodying in her music video, allowing shock value to eclipse emotional impact. But she pays a price for that, relying on gimmicky visuals that too often overshadow the merit and sentiment in the music. Her cheekily calculated behavior arrives pre-packaged to go viral it requires little effort on viewers’ part to make her GIF-worthy antics iconic. It was perhaps a perfect encapsulation of present-day Miley: a country foundation distorted through the funhouse mirror of pop outrageousness, with a good amount of tongue in cheek.Over the past several months, Cyrus has turned herself into a meme, time and time again. She leapt onstage accompanied by two backup dancers - including a little person in a red gingham gimp suit - and two men in a horse costume. “I’m trying to bring Nashville here and get everyone in the country spirit tonight,” she said, opening with a three-song set in full country drag: a blonde bob wig and a skintight gingham jumpsuit. hoedown throwdown”) repeatedly referenced her roots. Throughout her Unplugged session, Cyrus (who called Madonna’s 2009 hit “the O.G. Madge took the redo in stride: “Now we’re gonna have to be even nastier.” (They were.) The duo actually ran through their duet twice because Cyrus had forgotten to wear the matching cowboy hat she was given by Madonna. “It sounds super lame, but as a pop star it’s pretty cool to sing with Madonna.” “That was pretty f-ing cool, you guys,” Cyrus said afterward, referencing her oft-parodied catchphrase from her earlier days. Like Britney Spears and Christina Aguilera before her, Cyrus’ collaboration with Madonna brought out her sapphic instincts, grinding against the 55-year-old pop icon and, at one point, spanking her. The singer stuck to tracks from Bangerz for her own songs, but she also paid homage to “Aunt Dolly ” with an authentically twanged rendition of “Jolene,” as well as a rocking, powerful cover of Arctic Monkeys’ “Why’d You Only Call Me When You’re High?” and a mashup of her summer hit “We Can’t Stop” with Madonna‘s “Don’t Tell Me” - featuring the Queen of Pop herself. “I wanted it to be in a club, but they probably knew I wouldn’t be onstage - singing my songs, anyway.” “It’s so weird not having this be a real show,” she said. PHOTOS: The Most Dramatic Child Star Transformations
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